Looking for a new lens for your Panasonic GH5? As discussed in our recent blog best cameras for filmmaking on a budget the GH5 has fast become one of the go-to hits for filmmakers far and wide.
So, if you’ve made the sensible decision of purchasing one, you may now be wondering about lenses. Which one should you buy?
Of course, there are a number of different factors when it comes to picking the right lens for the Panasonic GH5. Things such as price point, your shooting needs, focal length, aperture and mount.
As a result, we’ve hand-picked a few below that serve a variety of different purposes and are all great options.
1. Sigma 18-35mm f/1.8 ART Lens
- Price: £599.00 (Canon EF/EF-S)
- Mount: Canon EF/EF-S, Nikon F, Sony Alpha, Pentax K, Sigma SA
- Good for: Landscapes, portraits, still-life and close ups.
Firstly, Sigma’s legendary 18-35mm f/1.8 art lens.
I say legendary because, much like the GH5 itself, this piece of glass has become a firm favourite across a wide and varied spectrum of filmmakers.
Why? Quite simply, the combination of price and image quality is impossible to beat. This thing creates beautiful images and doesn’t cost you the earth.
It is important to note that when looking at lenses for the Panasonic GH5, the camera operates using the micro four thirds system. So, for some GH5 lenses, you’ll need a speedbooster.
However, this actually works to your advantage. It reduces the crop factor of the GH5 and consequently, you end up with a wider view and access to more light.
The camera isn’t the best low-light performer, so it’s pretty useful to operate with a ‘the more light the better’ mindset when comparing Panasonic GH5 lenses.
The fact this Sigma is f/1.8 all the way through means that it’s perfect for the GH5, giving you plenty of light. Also added depth of field and a beautiful, cinematic bokeh effect.
Finally, despite not being made for cameras operating with a micro four thirds system, the lens is still moderately sized enough and doesn’t completely dwarf the GH5 when fitted. It’s almost as if they were accidentally made for each other. A great choice.
| Pros | Cons |
|---|---|
| ✔ Low aperture means plenty of light and a soft bokeh effect with depth. | ✘ No image stabilization |
| ✔ Beautiful cinematic image | ✘ Relatively short focal length range |
| ✔ Great build quality |
2. Olympus 7-14mm f/2.8 PRO Lens
- Price: £849.99
- Mount: Micro Four Thirds
- Good for: Landscapes, property shoots, vlogging
Secondly, the first of our native micro four thirds lenses.
The Olympus 7-14mm f/2.8 PRO is a fantastic wide-angle lens for the Panasonic GH5. Due to the fact that micro four thirds systems crop an image and essentially shorten your focal length, it can be quite difficult to find a decent wide angle.
The 7-14mm roughly translates to 14-28mm so, we think this is one of the best. It comes in particularly useful if you’re vlogging or shooting property where you can really show off as much of the space as possible.
In addition to this, it has a really solid build quality to it and, thanks to that micro four thirds system, it’s really quite small and unimposing – perfectly fitting onto your GH5 to create a discreet, small but powerful package.
It’s sharp, weather sealed, fast and, most importantly, can handle low-light conditions with an aperture of f/2.8 all the way through.
| Pros | Cons |
|---|---|
| ✔ Small, solid build | ✘ No image stabilization |
| ✔ Sharp and fast with low aperture that allows a lot of light | ✘ Bulbous front may leave glass exposed to damage |
| ✔ MFT native | ✘ Very, very slight distortion and vignetting possible when at 7mm. Not a deal breaker. |
3. Olympus 12-40mm f/2.8 PRO Lens
- Price: £678.99
- Mount: Micro Four Thirds
- Good for: Landscapes, vlogging, portraits and close-ups. Honestly, just about everything.
Next up in the Olympus PRO series is the 12-40mm f/2.8.
This piece of glass inherits pretty much all of the same characteristics as its 7-14mm brother. A solid build quality that feels great, a small little body that’s perfect for the Panasonic GH5, weather sealed, fast, sharp.
Similarly, an f/2.8 aperture that helps with overcoming low-light downfalls. It’s all here.
Above all, what really makes this one stand out is its impressively versatile range of focal length. Roughly translating to a 24-80mm if it were on a 35mm system, this is a great mid-range lens that can offer you a bit of everything.
It goes all the way from landscapes at one end to portraits and close-ups at the other. The range gets even more impressive if you consider punching in on 4K footage.
Whilst other GH5 lenses may do a better job with specific types of shooting, it’s hard to beat just how versatile this Olympus is. It’s our go-to all-rounder to add to your camera bag and we think you’ll struggle to find a better native micro four thirds zoom lens.
In short, if you’re to own just one GH5 lens, it should probably be this one.
| Pros | Cons |
|---|---|
| ✔ Small, solid build | ✘ No image stabilization |
| ✔ Very sharp and fast with a nice snap-back focus ring for manual focusing | |
| ✔ MFT native | |
| ✔ Versatile range |
4. Voigtlander Nokton 17.5mm f/0.95 Lens
- Price: £859.00
- Mount: Micro Four Thirds
- Good for: Portraits and close-ups
At this point in the article, you’ve probably picked up on the running theme of light and low aperture. So, it only made sense that we included this little number next.
In contrast with the versatility of the Olympus 12-40, the Voigtlander Nokton is a fixed prime. Although limited in focal length range, the low aperture of f/0.95 is impossible to ignore.
Indeed, some may even argue that’s too low, leading to a really, really shallow depth of field with delicious bokeh.
As a result, focus pulling may be tricky on that small GH5 screen – especially if you’re not used to manual focusing!
This combination of factors means that it is probably something of a creative choice, rather than a must-have go-to.
But if you can master it, it will deliver exceptionally beautiful, cinematic shots.
It’s the equivalent focal length of 35mm that is so many people’s favourites and the build quality is fantastic – right up there with the best Panasonic GH5 lenses on the market.
| Pros | Cons |
|---|---|
| ✔ Fantastic sharpness | ✘ No image stabilization |
| ✔ Incredible low-light capability | ✘ Chromatic aberration present towards the edges of the frame when at f/0.95 |
| ✔ Very solid build quality | ✘ No range in focal length |
5. Canon 70-200mm f/2.8L USM Lens
- Price: £1,899.00
- Mount: Canon EF
- Good for: Crowd shots, close-ups, sports and a different take on landscapes
Finishing off our list is the Canon EF 70-200mm f/2.8.
This thing is expensive. And it’s big. As in, way bigger than your Panasonic GH5. It will almost dwarf the body and clearly wasn’t designed for such compact micro four thirds cameras. So, why is it here?
So far, we haven’t really mentioned anything with a long-range focal length.
This thing ticks that box and ticks it well. You won’t find a better quality 70-200mm. Not at the lower end of the budget scale anyway.
Despite it’s huge frame and price tag, we really do think it’s worth getting because of the wealth of different options it gives you.
None of the other lenses listed above can really achieve a long focal length, apart from the Olympus 12-40mm f/2.8 PRO lens with 4K footage punched in, perhaps.
As a result, this Canon 70-200mm allows you to get right in on the action from a distance – whether that’s sports or crowd shots.
I particularly like this lens when filming travel documentaries. For instance, it allows me to capture local people going about their day to day business without infringing on them.
They don’t realise I’m there and therefore they don’t act any different. It’s definitely one to consider!
| Pros | Cons |
|---|---|
| ✔ Exceptional focal length range | ✘ Very big and heavy (it will dwarf your GH5) |
| ✔ Beautiful, unique shots available to the user | ✘ Expensive! |
| ✔ Very solid build quality |
Wrapping up – Best GH5 Lenses
In short, there are plenty of brilliant Panasonic GH5 lenses out there. These are some of our favourites and there are many more options, so it’s important you do your research beforehand.
Remember, depending on the lens, you may also need to purchase a speedbooster to convert to micro-four thirds. At a glance, we like Metabones or Viltrox but that’s an article for another day.
The prices quoted here are brand new from Amazon so it may also be worth having a look at eBay and other second-hand sites where you could pick up a great deal!
Or, consider how much you need/will be using the lens and weigh up the option of renting instead 😉
