The NFTS trains composers in both live and synth/sample-based music for the moving image in a production context closely modelled on industry working practices.
Students will compose for a wide variety of audio visual material and collaborate closely with those in other specialisms to produce several films – with all production costs met by the School. In particular, composers work closely with other students in Editing and Sound Post Production, increasing their understanding of the relationship between audio and moving images.
We offer a flexible curriculum adaptable to our students’ individual needs, with individual music suites, recording sessions with live musicians and education in business, legal and professional skills. Composing graduates are qualified to take on all forms of work in film and television as well as productions in multimedia and interactive programming.
All NFTS students can attend Masterclasses. Recent guests include David Fincher (Fight Club), Greta Gerwig (Little Women), Steve McQueen (12 Years A Slave), Edgar Wright (Hot Fuzz), Phoebe Waller-Bridge (Fleabag), Ben Wheatley (Free Fire), Rapman (Blue Story), Louis Theroux, Debra Granik (Winter’s Bone), Denis Villeneuve (Bladerunner 2049), Lynne Ramsay (You Were Never Really Here), Sam Mendes (1917), Asif Kapadia (Senna), Joanna Hogg (The Souvenir), Russell T Davies (Doctor Who) and Martin Phipps (The Crown).
This course is industry recognised by ScreenSkills, the industry-led skills body for the UK’s screen-based industries, and carries the ScreenSkills Select quality-mark which indicates courses best suited to prepare students for a career in the screen industries.